邝瑜慧，《蔡文玄研究》（新加坡：新加坡国立大学荣誉学士论文，2003）
廖金凤编，《邵氏影视帝国：文化中国的想像》（台北：麦田出版，2003）
麦欣恩，《香港电影与新加坡：冷战时代星港文化联系，1950-1965》（香港：香港大学出版社，2019）
仇莉莲，《大众娱乐vs身份建构：槟城的戏院（1930-1934）》（新加坡：新加坡国立大学荣誉学士论文，2008）
王振春，《石叻战前老戏院》（新加坡：新加坡青年书局，2011）
许维贤，《重绘华语语系版图：冷战前后新马华语电影的文化生产》（香港：香港大学出版社，2018）
许永顺，《新马电影圈内话旧：庆祝世界电影120周年》（新加坡：许永顺工作厅，2015）
许永顺，《战后二十年新马电影工作者名录，1945-1965》（新加坡：许永顺工作厅，2017）
杨明慧，《我们的电影，我们的家：厦语电影与新马厦语身份的渐变，1948-1966》（新加坡：八方文化创作室，2020）
钟宝贤，《香港百年光影》（中国：北京大学出版社，2007）
Chua, Ai Lin, Modernity, Popular Culture and Urban Life: Anglophone Asians in Colonial Singapore, 1920-1940 (PhD Dissertation, University of Cambridge, 2008)
Curtin, Michael, Playing to the World’s Biggest Audience: The Goblalization of Chinese Film and TV (Berkeley: University of California Press, 2007)
Dissanayake, Wimal (ed.), Melodrama and Asian Cinema (NY: Cambridge UP, 1993)
Fu, Poshek (ed.), China Forever: the Shaw Brothers and Diasporic Cinema (Urbana: University of Illinois Press, 2008)
Fu, Poshek and Man-Fung Yip (eds.), The Cold War and Asian Cinemas (NY: Routledge, 2019)
Law, Kar and Stephen Teo (ed.), Fifty Years of Electric Shadows (Hong Kong: Urban Council, 1997)
Lee, Sangjoon, Cinema and the Cultural Cold War: US Diplomacy and the Origins of the Asian Cinema Network (Ithaca [New York]: Cornell University Press, 2020)
Lent, John, The Asian Film Industry (Austin: University of Texas Press, 1990)
Liew, Kai Khiun and Teo, Stephen (eds.), Singapore Cinema-New Perspectives (New York: Routledge, 2017)
Lim, Edna, Celluloid Singapore: Cinema, Performance and the National (Edinburgh: Edinburgh University Press, 2018)
Lim, Kay Tong, Cathay: 55 Years of Cinema (Singapore: Landmark Book for Meileen Choo, 1991)
Lu, Sheldon Hsiao-peng (ed.), Transnational Chinese Cinema: Identity, Nationhood, Gender (Honolulu: University of Hawaii Press, 1997)
Millet, Raphaël, Singapore Cinema (Singapore: Editions Didier Millet, 2006)
Poon, Erika Ka-yan, “Southeast Asian Film Festival: The Site of the Cold War Cultural Struggle”, Journal of Chinese Cinemas, 13, 1 (2019): 76-92
Rojas, Carlos and Eileen Cheng-Yin Chow (eds.), The Oxford Handbook of Chinese Cinemas (Oxford; New York: Oxford University Press, 2013)
Tan, See-kam, Peter X. Feng, and Gina Marchetti (eds.), Chinese Connections: Critical Perspectives on Film, Identity, and Diaspora (Philadelphia: Temple University Press, 2009)
Taylor, Jeremy, Rethinking Transnational Chinese Cinemas: The Amoy-Dialect Film Industry in Cold War Asia (Abingdon, Oxford, UK: Routledge, 2011)
Taylor, Jeremy and Lanjun Xu (eds.), Chineseness and the Cold War: Contested Cultures and Diaspora in Southeast Asia and Hong Kong (London: Routledge, 2022)
Teo, Stephen, The Asian Cinema Experience: Styles, Spaces, Theory (New York: Routledge, 2012)
Tofighian, Nadi, Blurring the Colonial Binary: Turn-of-the-Century Transnational Entertainment in Southeast Asia (PhD Dissertation, Stockholm University, 2013)
Uhde, Jan, Latent Images: Film in Singapore (Singapore: Oxford University Press, 2000)
Uhde, Yvonne Ng and Uhde, Jan, Xin Ke: The Story of Singapore and Malaya’s First Feature Film (Singapore: Kucinta Books Pte Ltd, 2019)
Van der Heide, William, Malaysian Cinema, Asian Film: Border Crossings and National Cultures (Amsterdam University Press, 2002)
Wong, Ain-ling (ed.), The Glorious Modernity of Kong Ngee (Hong Kong: Hong Kong Film Archive, 2006)
Wong, Ain-ling (ed.), The Shaw Screen: A Preliminary Study (Hong Kong: Hong Kong Film Archive, 2003)
Wong, Ain-ling and Sam Ho (eds.), The Cathay Story (Hong Kong: Hong Kong Film Archive, 2002)
Yap, Soo Ei, Migration and Film Industry: Chua Boon Hean in Singapore (PhD Dissertation, Hong Kong Baptist University, 2020)
Yue, Audrey and Khoo, Olivia (eds.), Sinophone Cinemas (London: Palgrave Macmillan, 2014)